Design and development of simulation/game software: Implications for Higher Education



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DESIGN AND DEVELOPMENT OF SIMULATION/GAME SOFTWARE: Implications for Higher Education
by
DEBORAH VIVIAN WARREN
B.Sc., Simon Fraser University, 1978
A THESIS SUBMITTED IN PARTIAL FULFILMENT OF

THE REQUIREMENTS FOR THE DEGREE OF


MASTER OF ARTS
in
THE FACULTY OF GRADUATE STUDIES
(Department of Educational Studies)
We accept this thesis as conforming

to the required standard

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THE UNIVERSITY OF BRITISH COLUMBIA



March 2001

© Deborah Vivian Warren, 2001


Abstract

Online education is not yet utilizing the interactive potential of computer technology. In the future, higher education faculty may collaborate with commercial game designers to develop simulation/game software. This study analyzes the potential for disjunctions between these two groups of designers.

Twenty-two designers of home entertainment computer games were surveyed and interviewed about the prospect of simulation/game software to be developed for use in online education. Specifically, their perspectives were probed with respect to three dimensions: a) designing for open exploration of a specific closure (winners and losers), b) relative commitment to objective or subjective representations of knowledge, and c) preference for pre-planning or a tolerance of the iterative nature of software development. The survey results indicated a preference of game designers to design for a specific closure (with a final determination of winners and losers) rather than an open exploration. A high commitment to representing objective knowledge was also indicated. Interview responses indicated a high tolerance for the iterative nature of software development. The analysis emphasized a disjunction/overlap of an academic culture that elevates critical thinking and a consumer entertainment culture that elevates curiosity. The use of computer simulation games may be most supportive of learning, in a culture than elevates the curiosity above critical thinking, and thus better serve the democratization of knowledge where ‘everyone is invited to the knowledge party’. Such an implementation would be a divergence from the typical approach in higher education, where knowledge-participants are required to join a ‘members-only’ club. Future researchers may wish to profile the curiosity of learners and specifically design for this dimension.

TABLE OF CONTENTS

Abstract ii

List of Tables v


List of Figures vi
Acknowledgements vii

CHAPTER I Overview and Summary 1

1.1 Stealth learning with computer simulation/games 1

1.2 Purpose 2

1.3 This changes everything! 3

1.4 Changing landscape of higher education 10

1.5 Emerging metaphors for a new medium 11

1.6 It’s about more than winning and losing 13

1.7 Its not about Pac Man 16


CHAPTER II Four Decades Later 20

2.1 History of simulation games and education 22

2.2 Learning outcomes of simulation games 23

2.3 Theoretical perspectives 25

2.4 Relationship of simulation/games to online education 30

2.5 Gaps in the research 31

2.6 Software engineering: computer games 32

2.7 Conclusion 34

CHAPTER III Methodology 37


3.1 Three possible themes: a theoretical rationale 38

3.2 The original intent: 40

3.3 The pilot study 41

3.4 Description of questionnaire 42

3.5 Sampling strategy 46

3.5 Data analysis 46

3.6 The Research Question 47
CHAPTER IV Results 49

4.1 Identifying subjects for the study 49


4.2 Survey/interview methodology 49

4.3 Organization of survey 51

4.4 Survey questions 52

4.5 Qualitative analysis: interview issues 53

CHAPTER V Scholarly Analysis and Critique 75


5.1 The obvious differences 78


5.2 The less obvious differences 80

5.3 The curious learner 81

5.4 Valuing anomalies and curiosity 86

5.5 An invitation to the knowledge party 96

5.6 Advent of new technology in education 99

CHAPTER VI Future Research: Anecdotal Reports of Interest 102


6.1 Simulation engine: Build or Buy 102

6.2 A successful model: Droidworks from Lucas Learning 103

6.3 Military learns from entertainment industry 105

6.4 Girls like to build, boys like to fight 107

6.5 Generation lap 108
CHAPTER VII Conclusion 110

Bibliography 113



Appendix A Pilot Study Questionnaire 125




Appendix B Survey Questionnaire 127




Appendix C Interview Questions 138




Appendix D Letter of Introduction 140




Appendix E Respondent Consent Form 142




Appendix F Respondent Profiles 144




Appendix G Anticipated Disjunctions 148




Appendix H Additional Excerpts from the Interview Data 151




List of Tables:

Table 1: Game Designer Preferences For Four Design Attributes 53


List of Figures:



Figure 1: Number of Interviews Arranged on Three Variables 54

Figure 2: Differences Between Professorial and Game Design Cultures 75

Figure 3: Overlap Between Professorial and Game Design Cultures 76

Acknowledgements


I regard this text as a scholarly dialog, between myself and the three committee members…but what an odd conversation. I say 20,000 words. Roger Boshier insists I say another 10,000 words. I restate my 30,000 words. Roger insists I include another few thousand words and add some diagrams. Hans Schuetze suggests my discussion might profit from a more explicit relationship between simulations/games and learning theory, especially ‘situated learning’ and ‘action regulation theory’. Peter Nemetz diplomatically invites me to include another 100 citations. It’s been a privilege and an honour—I owe you all a debt of gratitude. I await with eagerness the comments of the external examiner, Mary Bryson.

On a personal note I wish to thank two aunts, Anita Schill and Fay Gray for their continuing interest in my academic adventure. I also wish to thank a variety of friends, who showed no particular interest in my research topic but were ready and willing to provide diversions whenever they were needed. These friends include: Jess and Terry Hansen, Geof Olson, Lois Holmlund, Diane Friesen, Karen Schaefer, Gary and Helen Temoine. This research has allowed me to understand that I have chosen my friends because of their intellectual curiosity. While not one of you has ever played a computer simulation/game, my conceptual understanding of the topic has benefited enormously from our discussion of other topics…and I thank you.

Finally, I wish to thank Eliezer Orbach who in 1979 published one article for a somewhat obscure journal. This article served as my particular Rosetta stone. It has forever changed my view of learning…and I thank you.

CHAPTER 1



Stealth Learning With Computer Simulation/games

In 1989, I played my first computer simulation game. It was the most compelling learning experience of my life. The game was Hidden Agenda, and I became President of a Latin American country who chose to form a coalition government, feed poor people and bring democracy to citizens. Winning the game was possible only by staying in power for three years and avoiding a military coup. However, no matter what strategy I chose, in order to win the game I always ended up in debt to the International Monetary Fund. This game situation paralleled the reality of Latin American countries in the 1980s. After playing the game I read several books about U.S. foreign policy. Thus I came to understand these countries were different from my own. I also made life decisions based on my learning experience. In 1995, I chose not to invest retirement funds in pro-Mexican free trade mutual funds and thus avoided the catastrophic devaluation of the Mexican currency. Had I not played this game, I might have been easily misled by hyperbole surrounding the Free Trade debate. Of relevant interest is a report from the game designer that Hidden Agenda continues to be used in the United States (at a State Department office in Arlington, Virginia) to provide training for drug enforcement officers, as well as agents for the Central Intelligence Agency and Federal Bureau of Investigation (Gasperini, 2000). While this product was marketed as an entertainment product, it was intentionally designed for instructional purposes.

I have since played other games and derived similar benefits—introduced to a variety of topics that I would not have had time to pursue through conventional instruction. As a result of playing these games I am now interested in topics that include economics, sociology, foreign policy and urban planning. I peruse the everyday sources of news looking to further my awareness. Ultimately, I would like to design a simulation authoring software tool but the first step was to understand if computer games could/should be used in formal educational environments. These tools provide compelling learning. They seem to present a unique strategy for constructing understanding. Why had I not encountered them before? What opportunities existed for these games to be implemented in higher education?

A subsequent review of literature answered the questions—simulation games have been used extensively by individual teachers. Now there is an opportunity to use games on-line. I had not encountered these games before because they have not been widely adopted by many teachers. Instead games tend to be used only by teachers who developed them and sometimes a small cadre of followers. In general, this type of instruction is not compatible with conventional classroom practice. However it has been used extensively in a workshop seminar format for the training of management executives. My hope is that if these games can be more widely distributed through on-line education, then all levels of society will have access to a learning opportunity currently only available to elite decision-makers.



In this study, respondents used unusual adjectives to refer to the kind of learning required of and supported for the end-user. “Sneaky learning”, “learning-by-accident”, “under-the-radar-learning”—my favourite adjective was “stealth” learning. In the literature, this kind of learning is usually recognized as informal learning. However the word “stealth” is an intriguing choice. It is defined as “going or passing furtively, secretly or imperceptably” and implies “sneaking up on the enemy”. Simulation/games do offer a kind of empowerment—an access point into understanding the complexity of the modern world. Is complexity the enemy?
Purpose

The purpose of this study was to identify the design perspectives of simulation/game designers working in the home entertainment market and analyze for possible disjunctions between game designers and professor/instructors. The perspectives were identified through data gathering and analysis. The understanding of disjunctions was accomplished through scholarly analysis and critique.

This Changes Everything!


Our first encounters with a new technology can provide a pivotal moment in our lives. Many people are encountering computer simulation games for the first time. For some, their first introduction to this technology is the massive-multiplayer games which provide rudimentary simulations of a medieval society. For 30 years, teachers in colleges and universities have been reporting how instructional simulations have changed the way they teach. One scholar (Shirts, 1989) has even speculated that the design of simulations may represent a language of the future. In such a future, words will no longer be adequate. Instead we will immerse ourselves in someone else’s view of reality where we will compare their notions of nuance, constraint and possibility with our own ideas. Emerging from the experience, we may be unable to comfortably hold on to our previous beliefs.

The first time I used a personal computer, I played a game. The year was 1981, the game—an outline drawing of a tank that could shoot (and destroy) other outline-drawn tanks, as well as the occasional outline-drawn airplane. I thought of it (the game and the computer) as mindless fun. True, it was interesting but still a colossal waste of time. Then in 1985, I gained access to my first graphical user interface or, as it was known at the time, an Apple Macintosh computer. The very first time I used the word processing feature I realized, “This changes everything!” Gone were the typewriter and the ever-present correcting tape. Suddenly, using word processing I didn’t have to worry about typing each letter correctly; with the help of the backspace key I could just back up over any error. Even better, I might prefer to type with a stream of consciousness awareness and then later return to the text in order to structure and rearrange it. Furthermore, I could create emphasis by changing the size of the letters, or applying a bold or italicized typeface. This new technology gave me practical experience as an editor. For many years prior, writing had been a labourious chore, but now the possibilities of writing fueled my aspirations. Subsequent research in the primary and secondary systems has confirmed this benefit of educational technology—students enjoy writing more when they have access to word processing software (Becker et al, 1999). The facilitation of writing skills is the most prevalent use of computers in schools. The second most prevalent use is accessing information over the Internet (Becker, 1999). However, while students are able to gain liberal access to text information, they are unable to explore the full potential of graphical, multi-media representations (Anderson & Ronnkvist, 1999). Thus, while students can access information, they have little opportunity to interact with information. Simulation/games offer the promise of interacting with information.

In 1985, I encountered the Internet while working with computer programmers. They were able to send text messages to their colleagues, I was not—none of my colleagues used the Internet. Then in 1994, I completed a computer animation and posted all 900 frames on the Internet, and once again I realized, “This changes everything.” These same 900 frames were a 30-second animation on videotape, but on videotape it would only be seen by a few friends. The quality of this facial animation project was comparable to any produced by the professional studios of Walt Disney but it had been made by three people: myself, a computer science student and the professor. It was now available to the several million end-users but only a few hundred would be interested in viewing it. Even these viewers would probably be interspersed over a period of several years. The online network was the only way to connect my modest animation with an appreciative public. Today, the Internet is viewed primarily as a channel for asynchronous, mass-distribution—with a new potential to custom-design products for niche markets. Providers of online education are actively seeking these markets with ever more diverse course offerings.

In 1989, I played my first computer simulation game, Hidden Agenda. Having played the game, I had come to understand that Mexico was not a democracy ‘just like’ Canada. In my day-to-day life I have limited time to analyze topics related to economics, foreign policy and domestic politics. Yet using these entertainment products, I had gained a cursory awareness of relevant issues. Furthermore, the game-play had managed to pique my curiosity. I was now reading books like ‘Manufacturing Consent’ by Noam Chomsky and ‘Cities and the Wealth of Nations’ by Jane Jacobs. I became more interested in public policy issues, tax systems, and diplomatic relations. The games seemed to provide a key to doors which opened new informational vistas.

In 1996, I began to hear the first hype about online education and I wondered, “Will this change everything?” It is the job of experts to create representations of complex systems. If these representations could be translated into the design of a computer simulation game, then learners would: 1) have a new way of constructing their understanding and, 2) be introduced to a broad range of topics they wouldn’t ordinarily have the opportunity to study. Online education and a network distributed to the masses offers the promise of custom-matching this type of learning with those who would like to receive it. Ultimately this opportunity to construct understanding might lead to a different kind of understanding. For instance, learners might be better able to tolerate the ambiguous and contradictory nature of knowledge.

The computer game Colonization allowed me to identify and tolerate contradictions within myself. In this game, European explorers set out for the New World to make their fortune. The mother-country steadily increases the taxation rate. In the end, the user can decide to fight a ‘War of Independence’. If the war is won then the game is won. As a lifelong socialist, I choose to value tax-supported government services and am not persuaded by the corporate critique of government spending. In my considered opinion, the propositions of the fiscal conservatives place too much emphasis on individuality, not enough on communal well-being, with a time horizon that extends only to the end of the next fiscal quarter. My beliefs changed after playing the game Colonization. I was genuinely enraged when the taxation rate (in the game) reached 13%) and immediately began building the infrastructure to support a military insurrection. Upon further reflection, I realized that being taxed by a distant power that appears unresponsive to local necessity has been a common theme in challenges to political power. While I still retain my commitment to a tax-supported social service system, I now find the perspectives of fiscal conservatives to be more comprehensible and more accessible.

Other games explored the benefits of tax-supported services. In fact, one computer simulation was recently distributed in the United States just for this purpose. It was called Sim-Health and for a brief period it was sold as an educational product. The goal of this product was to explore various public policy issues with regard to the American system of health care. Sim-Health was specifically designed as an instructional tool for the purpose of engaging people in the debate. It was not designed as an entertainment product.

On the other hand, Syd Meier’s Civilization was intentionally designed as an entertainment product. It was very successful commercially and many imitators have tried to build on its success. I knew that as an individual I was having fun with Civilization and then I became aware of all the other people who were playing it. Will the mass market acclimatize greater numbers of consumers to the medium of simulation/games? Will competition in the marketplace provide the crucible to test and find the most favourable interface designs? Will computer-assisted-instruction finally move beyond the drill and practice model? The first game I played, Hidden Agenda, was designed as an educational product. It did not sell well. By 1995, hundreds of thousands of people were playing computer simulation/games for the purpose of entertainment. It remains to be seen how far this culture will evolve, how fast the various technologies converge and whether or not this technology will be implemented within the context of formal education.

Learning from a simulation activity is simply “learning-by-doing” but with no real consequences. At the turn of the 19th century, John Dewey was the first to coin the term. It can be observed in the fantasy play of children, the master-apprentice relationship or the everyday activities of our lives. Traditional board games such as chess and Go are often mentioned as early abstract simulations of military strategy. World War II inaugurated the modern era of learning-by-doing through simulations. Cockpit simulators and other physical simulators were used to train operators in order to conserve resources and lives. Since the war, simulations have become more sophisticated in modeling human behaviour and thus offer the opportunity to practice real-world decision-making. The military continues to purchase simulation technology. The town of Orlando, Florida is sometimes called ‘Simulation Valley’ as a parody of ‘Silicon Valley’. In that town, there are over 200 companies creating simulation products. In the 1980s, the literature listed over 1000 simulation activities to be used for the purpose of instruction in colleges and universities. Senior business executives continue to be the most frequent users of instructional simulations.

The Internet and (advent of) online education are gaining momentum and, with it, the power of a broad cultural force. Other technologies are converging with the Internet and simulations/game may be one such technology. If online education is to utilize simulation/games many designers will need to navigate through technical and commercial challenges. Will it be necessary for faculty to be familiar with software development? How ready is the education consumer for simulation/games? Is the there a market demand for this type of learning? The underlying assumptions of a changing culture offer hidden challenges. If disjunctions exist between different cultural forces then stakeholders will need to identify and bridge them if the convergence is to gain momentum.

Several arenas of disjunction in higher education can be readily observed within the existing system. This is evident in debates between the public good of education and the private one, the social demand versus the market demand. Fiscal restraint and public policy have grafted the accountability structures of corporations onto the collegial culture of higher education (Hardy, 1996; Currie & Newson, 1998). Research funding now relies more on industry applications than a basic search for new knowledge (Slaughter & Leslie, 1997). Students are viewed as consumers, being prepared for the labour market rather than for the sole purpose of citizenship (Human Resource Development Committee, 1991; British Columbia Labour Force Development Board, 1995). While these issues are a matter of lively debate among stakeholders in higher education, the potential for convergence with “digital culture” is still open to speculation. Even though the value of online education is a topic of intense scrutiny, venture capitalists are ready to invest billions in the private sector and meanwhile, public institutions are expanding their online offerings. Any disjunctions between faculty and game designers will be situated within this overall context.

As an entertainment product, computer simulation games must be easy to understand—by a broad cross-section of consumers, a consumer-base which may include 8-year-old girls as well as adult enthusiasts (at present, the adults are mostly higher-income males in their 20s and 30s). Those designing instruction may view a game used by and 8-year-old as too facile for higher education. The market imperative may guide commercial designers to insist on a design that retains a broad appeal.

Another disjunction will be tolerance for the typical software development process. Professor/instructors receive knowledge that has evolved from decades of debate. Teaching usually involves the transmission of knowledge and student assessments based on retention of content. Teaching practices committed to other perspectives of are in the minority (e.g., apprenticeship, developmental, nurturance and social reform) (Pratt, 1998). In software development, reconfiguring knowledge constructions happens day-in and day-out…until an agreeable result is achieved. This development process may occur over a two-year period. In the interim, the program may be rebuilt from scratch several times, with a free-wheeling discarding of previous ideas and incorporation of new ones. Typically, it is a search for one design that works and the product of many compromises. Professor/instructors are likely to prefer a development process that emphasizes a pre-planning phase with a minimum of follow-up (as per the usual practice of instructional design: specify the objectives, structure the content, implement and make revisions as needed). Game designers on the other hand, are likely to have a high tolerance for the iterative nature of software development and little opportunity for pre-planning.

If these disjunctions exist, then why should there be any need to remedy them? Large numbers of people are using computer games—all kind of games. These products provoke the curiosity of young people, and allow them to acquire the desire to learn more about information technology. Corporations such as Nintendo already operate their own accredited trade schools to teach people how to design electronic games (Digipen, 2000). The expansion of online education began even before the Internet became widely accessible to the public (Harasim, 1993; Riel & Harasim, 1994). In British Columbia, over the last decade as many as 1500 private agencies have received provincial accreditation including a plethora of film/media schools (Dennison, 1999). One company in San Francisco, Ninth House, has just begun offering just-in-time simulation/games over the Internet for business executives (Armstrong, 2000). Are these isolated anecdotes or do they represent a trend that is gaining momentum? I believe the latter, more people are using computers, in more diverse ways and more educational opportunities are being provided by the private sector—as the momentum of these trends increases, the potential for convergence of technology increases.

Changing Landscape of Higher Education


Simulation/games in higher education are a possibility because a variety of converging trends are influencing the future design of technology-based education. These include:

  • Reduced government money for higher education (and research)

  • Increasing pressure on faculty to partner with industry

  • Increasing acceptance of learning-by-doing (and applied research)

  • Increasing acceptance of “situated learning” as a complement to cognitive learning.

  • Increasing awareness of failure of online education to utilize the full interactive potential of computers and telecommunications technology

  • The increasing trend of mass marketing strategies being applied to mass higher education.

Due to government fiscal restraint in higher education (Hardy, 1996), faculty are under increasing pressure to enter into partnerships with industry (Slaughter & Leslie, 1997). Concurrently, many claims are being made about the utility of technology and distance education (Moore & Kearsley, 1996). These two trends are already converging and at least one university president has been approached by a ‘large information company’ with a business proposal to serve a $30 billion worldwide, online-education market (Uegama, 1999). Many institutions around the globe are increasing their course offerings over the Internet. Some indicators suggest these two trends will converge with a third—the inclusion of computer simulation/game technology. These indicators include web-based listings of instructional simulations that can be accessed online (National Science Foundation, 2000; Maricopa College, 2000), the millions of consumers purchasing entertainment simulations such as Sim-City (Gussin, 1995), and dissatisfaction with the current quality of interactivity in online education (Boshier et al, 1997). Exploiting the power of interactivity is viewed as the primary benefit of simulations/games (Borsook & Higginbotham-Wheat, 1991; Wager, 1993). The most intriguing indicator may be market place.

With the mass-market success of simulation games developed for the home entertainment market (Syd Meier’s Alpha Centauri, Syd Meier’s Civilization, Microsoft: Age of Empires, Syd Meier’s Colonization, Syd Meier’s Railroad Tycoon, Maxis: Sim City, Maxis: The Sims), simulation/games may be leaving the shadows of marginalization. The potential for convergence is best indicated by the increasing number of consumers using computer games for the home entertainment market and the broad acceptance of complex user-interfaces which may eventually yield new metaphors of the medium. As explained below, a century ago, other communication technologies were developed and new metaphors emerged that were not possible in the pre-existing media—film was qualitatively different than the medium of actors upon a stage. The emergence of these new metaphors provided new understanding and another way of constructing understanding. The juxtaposition and layering of ideas, emotions and nuance was advanced with the emergence of film technology, and learning-from-narrative was made more accessible to a wider audience. Simulation/games allow learners to construct understanding by immersing themselves in a complex situation, making choices and sequencing information in a way that is personally meaningful—while not deferring to the authority of a knowledge ‘expert’. This type of learning is non-linear because a teacher cannot identify a linear, hierarchical structure of knowledge presentation that will be optimal for each learner. Rather, the learner is expected to socially construct knowledge in a manner that is optimal for them.
Emerging Metaphors for a New Medium

The current state of technology-based education is analogous to the overly dramatic, stage-like representations of the silent film era at the turn of the 20th century. Just as the silent film star, Charlie Chaplin, could not predict the film innovations of travelling shots, off-screen dialog, and computer animation, we cannot at this point in time predict what innovations will emerge with regard to technology-based education. Just like a camera recording a stage-play, online education is translating distance education into the online environment, or the graduate level seminar into an online discussion group. The new metaphors have yet to emerge. However, the advent of simulation/games may provide some intriguing clues.

In this case, the market-place will function as vast laboratory—testing for mass-acceptance. How much complexity can the consumer cope with? How much plausibility will the consumer demand? What features are considered to be the most motivating by the consumer? Will the consumer identify educational benefits? This study seeks to explore the extent to which commercial designers have already answered these questions, and then critically reflect on the possible disjunctions should they try to collaborate with faculty/instructors on some future incarnation of online education. Within the landscape of higher education, simulation games have remained a relatively small phenomenon. Our conceptual magnifying glass was turned on simulation/games for the same reason we consider the butterflies and hurricanes of Chaos Theory—a small thing may set in motion a sequence of events which have great consequences. And so a small group of commercial game designers were contacted, surveyed and interviewed. At an industry trade show, computer game designers were first asked if they considered themselves to be designers of computer simulation/games. Twenty-two designers said, “Yes” and then agreed to participate in the study. They completed a 30-minute questionnaire and were then interviewed for approximately 30 minutes. The methodology will be explained in further detail later.

It’s about more than winning and losing.

In the simulation/game literature, there is a preoccupation with learning outcomes. The design and development of simulation/games have been infrequently reported. This study seeks to update our understanding of the design and development of simulation/games as these issues may relate to the future design of technology-based education. Therefore definitions must be clarified for the following terms: simulation/games, virtual representations, artificial intelligence, strategy games, shoot-and-drive game, technology-based education, online instruction, browser software and technology convergence.

The term simulation/game refers to a simplified model of either a system or the designer’s worldview. Two explicit definitions were stated as part of the questionnaire and explored during interviews. These definitions were as follows:

Definition #1: “A simulation game is a contrived activity which corresponds to some aspect of reality. The activity involves players who strive to resolve one or more conflict(s) within the constraints of the rules of the game. It comes to a definite closure with a determination of winners and losers.”

(Thiagarajan, 1978).
Definition #2: “A simulation is a working representation of reality. It may be an abstracted, simplified or accelerated model of the process. It allows the exploration of systems where reality is too expensive, complex, dangerous, fast or slow” (Jones, 1980).
This study will utilize the convention of dividing the term simulation/game. Even within the academic community there is controversy about what constitutes an appropriate definition of the term. Dividing the term in this way appears to be generally accepted (the primary journal is named the Journal of Simulation/Gaming). One definition embraces the concept of closure, with a specific determination of winners and losers. The other definition resists closure, preferring to emphasize an open exploration where the end-user modifies variables to explore the dimensions of a system. One hypothesis is that commercial game developers were expected to prefer closure. The pilot study indicated that professor/instructors may prefer open exploration. Thus the differing definitions might provide some indicator of disjunction.

The term virtual refers to a contrived representation or character which exists only within the context of the computer simulation/game. It may refer to a role, complete with a description of human being and an image, or to an abstraction, such as a competitor nation or company. The computer programming instructions which guide the actions of these virtual characters are referred to as the artificial intelligence of the simulation/game. The term strategy indicates a sequence of decision opportunities which may follow (or evolve from) one of several perspectives. The term game refers to a mental activity where tactics of competition conform to a set of rules in the pursuit of an object, with a final determination of winners and losers. The shoot-and-drive game refers to the most common type of computer game where the object is to kill objects on the computer screen and navigate the player’s piece through the environment presented.

Technology-based education refers to some combination of computer and tele-communications technology used for the purpose of instructing students. The term computer refers to personal computers based on a single microprocessor. The term telecommunications refers to network-based communications such as the Internet. The term online instruction refers to a student using a computer to log-on to the Internet (through telephone lines or other high capacity transmission lines). The computer must be equipped with browser software which provides a graphical user interface to the Internet. Currently, the two most common browser software products are Microsoft Internet Explorer and Netscape Navigator.

Post-secondary education over the Internet usually offers a group of students common access to web pages and discussion groups. Students may also be required to obtain reading packages of printed material or an accompanying CD-ROM (a disk which can store 650 megabytes of information). Typically these online courses are oriented towards the transmission of knowledge content. The teaching perspective associated with transmission of content is evident where the primary commitment of the instructor is to (a) accurately represent the content, (b) demonstrate an enthusiasm for the content, and (c) encourage people to consider the content (Pratt, 1997). Online courses tend to rely primarily on communication through text. There is a limited focus on problem solving, decision-making or interactivity with an expert (although students may be encouraged to interact with each other through the discussion group). In contrast, computer simulation/games offer abundant opportunities for problem solving, decision-making and interaction with an expert’s view of the world (albeit an abstract construction of that expert’s worldview).

In the future, computer simulation/games could be distributed to students via CD-ROM or even directly over the network to the student’s computer. Students could then engage the game as a single player, or play each other in a multi-user version of the game. Their subsequent debriefing (through discussion groups and with professor/instructors) would be the primary opportunity for learning. To date there is no evidence that simulation/games are used as part of online instruction. However, computer simulation/games are being used in conventional classroom instruction. Convergence refers to several technologies merging to form one technology. Currently, three separate technologies exist: (a) classroom computer simulation/games, (b) online instruction, and (c) home entertainment simulation games. What is a) the rationale and, b) the potential for convergence of these three technologies? That is the larger question surrounding the research objectives of this study.
It’s Not About Pac-Man

Most computer games are of the shoot-and-drive variety where the primary design challenge is to provide more multi-media effects (e.g., colour, 3-D visuals and quality sound) through a limited data processing channel. In comparison, computer simulation/games attempt to represent human decisions in a virtual problem-solving environment. Simulation/games may also be referred to as discovery learning, microworlds and scenario education. Furthermore, simulation/games usually provide the end-user an opportunity to solve the problem by approaching it from several different perspectives. These type of computer games can provide a virtual apprenticeship in negotiating and navigating through complex environments. Therefore, the primary design challenge associated with simulation/games is the creation of a plausible model/construct of reality (or fictional context)—a model which satisfactorily includes all relevant expert knowledge and yet does not overwhelm the student/user with complexity.

The focus on decision-making, problem solving and exploration of different perspectives indicates that this educational technology is appropriate to the pursuit of teaching and learning in higher education. Learners (as well as consumers of entertainment simulation/games) are expected to (a) identify interrelationships among a number of variables, (b) make rapid and effective decisions about allocating resources and negotiating, and (c) deal with various strong feelings and emotions associated with the instructional topic (Thiagarajan, 1978). In addition, they may be expected to (a) transfer their skills and knowledge to a real-life situation, and (b) eventually interact with others in the real-life performance of a situation.

The distinction between shoot-and-drive (S&D) games and computer simulation/games is as important one because most computer games are of the first variety and typically only need to employ programming specialists (thousands of S&D games are produced each year while only a few simulation titles are released). The non-programming specialists associated with shoot-and-drive games will tend to be experts in multi-media (i.e. graphic artists, audio engineers and computer animators). These specialists focus on the quality of the multi-media effects and are not primarily concerned with how the end-user constructs meaning and mental models from a complex system. The developers of simulation/games, on the other hand, must be very concerned about the student/user’s opportunity to construct meaning. While engaged in a complex system of a simulation, the activities may include allocating resources, managing many interrelated variables, sequencing actions, linking relevant information and negotiating with other players (either real or virtual). The data presented by the game must be sequenced and processed to facilitate decision-opportunities. At each step of the development process, content experts of simulation/games must make decisions about the quantity of data, complexity of data and the availability of data (i.e. the end-user may have access to certain features of the game, but is denied access to other features). The developers of a shoot-and-drive game are likely to hire programming experts and multi-media specialists. The developers of simulation/games are likely to employ these same experts but also need to access content expertise.

Computer simulation/games are attempts to model complex processes, processes which can be viewed from several different perspectives. The design of these computer software products is unto itself also a complex process. The design effort must be guided by how the student/user constructs meaning from his/her actions and engagement with the simulation/game. This is perhaps why the literature about instructional simulation/games focuses so resolutely on learning outcomes. Since the 1950s, the research has been accumulating evidence that simulation/games are at least as good as conventional instruction, especially with respect to content retention. Does the focus on content retention miss the whole point of engaging a simulation/game? Is the retention of content the only indicator that the student/user has constructed appropriate meaning? Given the development process of a complex product, this study was undertaken with an expectation that themes would emerge from the data that would illuminate these two questions. In short, home entertainment game designers would want to design products which were highly motivating (i.e. fun) and included subjective representations of knowledge. On the other hand, professor/instructors would want to design products that would be useful to students and represent a more objective view of knowledge. If this disjunction exists then any prospective collaborative effort between the two groups would be fraught with constant battles over how student/users construct meaning (of objective knowledge) and the validity of content retention as an end-user outcome. If the disjunctions do not exist then presumably both parties would be more open to a development process which would allow the design to evolve as part of the process.

Game designers interviewed for this study were not expected to ‘reinvent the wheel’ but instead asked to respond to questions about design. The intent was to determine if early conceptions of design retain any validity for the future of technology-based education. Would it be relevant for game designers and professor/instructors to discuss these issues should they attempt a collaboration? Only a few sources attempt a description of the design and development process. The term ‘design’ refers to the technical specifications that must reside within the product at any given stage of development. The ‘development process’ refers to the interpersonal dynamics of a team of people working together over a period of time. A review of the literature suggested three themes that might be potential indicators of possible disjunctions: a) a preference for a specific closure or an open exploration, b) a commitment to either subjective or objective representations of knowledge, and c) a preference for pre-planning the design, or a tolerance for the iterative nature of software development (Thiagarajan, 1978; Jones, 1980; Robinson, 1985; Ehrmann & Balestri, 1987).

Most of the simulation/game literature dwells on the validity of learning outcomes related to the transmission and retention of knowledge content. The literature also seeks to validate other learning outcomes such as changes in attitudes, beliefs and behaviour. There are very few reports about the design and development of simulation/games, and none concerning commercial game developers. This study is undertaken in response to this lack of research in the (proactive) hope of identifying a potential overlap should disjunctions be identified between game designers and professor/instructors.

CHAPTER 2
Four Decades Later

Early on there was great enthusiasm for the ‘new’ technology of instructional simulations. But beginning in the 1980s, researchers (Shirts, 1989; Greenblat, 1989, Duke & Kemeny, 1989; Shubik, 1989) tried to answer the question, “Why aren’t more people using this compelling teaching method?” Most of the studies recorded in the Journal of Simulation and Games, measured learner outcomes with a specific emphasis on retention of content. Practitioners has underestimated the degree of entrenchment of traditional modes of instruction and student assessment did not value the type of learning offered by gaming. The learning offered by simulation/games would have to conform to the culture of existing institutions. While other kinds of learning outcomes were noted (i.e. attitude change, behavioural change and tolerance for ambiguity), the assessment of these outcomes were not usually relevant to student assessment. Institutions of mass-education still rely primarily on assessing student progress on the basis of how well content has been ‘transmitted’ to the student and ‘retained’ by them. Therefore it is not surprising that faculty did not go to the trouble of using a new, compelling teaching method when the incentives of the institutional culture principally support ‘transmission of content’. This chapter will review: a) the literature associated with instructional design, b) literature of educational technology for distance education, and c) the studies reported in the Journal of Simulations and Games. The review indicates that: (a) simulation/games have been a subject of research since the 1970s, (b) learner outcomes have been the most frequently reported result, (c) the theoretical perspectives of instructional design inadequately represent the constructivist nature of learning through simulation/games, and (d) online education is not yet using simulation/games.

If researchers continue to claim that simulation/games will eventually be used for online education they should be challenged to provide evidence that supports this claim. This review of the literature suggests the design of simulation/games has been idiosyncratic and not a frequent subject of systematic inquiry. Furthermore, the instructional design literature (Richey, 1986; Kember, & Murphy, 1990; Merrill et al, 1990; Gagne, Briggs, & Wager, 1992; Gustafson, 1993; Hwang, 1995; Shrock, 1995) provides few clues as to how to proceed with a constructivist learning process—where the learner is exposed to a new information set, problem or situation, and then extracts/exploits that set/problem/situation to create new and personally relevant meaning. The most commonly used guidelines for designing instruction are embedded in an objectivist epistemology and oriented toward transmission of content (and sometimes apprenticeship). Guidelines which attempt to outline a constructivist orientation to instructional design succeed in describing the value of constructivism but fail to capture a step-by-step explanation of the process.

The lack of systematic inquiry into this area may indicate that the complexity of the design process presents too large a barrier. The purpose of simulation/games is to represent complexity—to immerse the student/user in an environment of uncertainty and ambiguity, to construct meaning from the experience which is personally relevant and allow them to manage decisions in a virtual environment. The intent of this study is to wade, however naively, into the waters of simultaneous complexity—the design of complex representations and the complexity of the design process. Systems theory advises us to develop an appreciation for emergent complexity and an awareness that the whole may be greater than the sum of the parts, but as a theory it does not give us a framework for analysis. The paucity of theoretical perspectives with regard to complexity suggests that the product and process of designing of complex representations may be difficult to separate.
History of Simulation/games and Education

Most of the simulation/games reported in the Journal of Simulation and Games referred to classroom or seminar activities. Most are business simulations. However, an example of a widely used classroom simulation would be those related to sociology. For instance in STARPOWER, students were divided into socially-stratified groups and then assigned privileges based on their rank in the simulated society. This society would then test tenets of sociological theory (i.e. Would the elite willingly share their privileges? Would the lower strata be satisfied with letting the society evolve or would they be motivated to revolt?) (Dukes & Mattley, 1986). A few studies in the journal reported on simulation/games used at the high school level, most were oriented toward adult education, either in the workplace setting or at a post-secondary institution.

The development of educational simulations began in the 1950s (Faria, 1987). Computers were used even with these early simulation activities (primarily to calculate points at the end of the round, much as we would use a calculator today) (Crookall, 1986). From the 1950s to the early 1980s, the typical simulation was published in text form and instructors would refer to these manuals and then act as facilitators during the simulation (which was delivered in a workshop or seminar format). These simulations were intended to run several hours consecutively at a time (or over several days as needed). This type of time commitment was not always compatible with conventional classroom instruction (Greenblat, 1989; Shirts, 1989) and may suggest the reason why many simulations concern training for professionals and management executives. A significant number of articles in this journal describe simulations which are related to a specific job-context. Examples of the history of simulation/games include the following content topics: management training (Biggs, 1978), accounting (Specht & Sandlin, 1991), labour relations (Brenestuhl & Blalack, 1978), entrepreneurship training (Low et al, 1994), urban planning (Kennedy, 1973), international relations (Modelski, 1970), law (Hollander, 1977), teacher education (Tansey, 1970) and even child care (France & McClure, 1972). Another article listed over 1000 simulation games available for college and university instruction (Birnbaum, 1982). Hence simulation gaming has a substantial history and has been associated with higher education for at least four decades.


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